All the most famous and funniest quotes by Gigi Proietti
Gigi Proietti is part of that group of artists who have made the history of Italy. Ironic, irreverent, at times sharp, but always deeply human, the Roman actor with his famous aphorisms has been able to condense the spirit of a nation. His quotes make us laugh today as on the first day: here we have collected his most famous phrases. And if you want to always wake up in a good mood, try the tricks you find in this video!
The most famous funny phrases by Gigi Proietti
Gigi Proietti was a great Italian actor. Born in Rome, he has worked successfully in theater, cinema and television, where he has played numerous roles both brilliant and dramatic. Endowed with an overwhelming sympathy, he is known above all for his great ability to make spectators laugh, so much so that his jokes are still quoted today.
Live, let live but most of all ... you don't mind the hell.
Television is a device that has transformed the family circle into a semicircle.
You too, don't take whistles for flasks, only this is a male whistle with no scrape!
But then is Rome a synthesis of what? What a thing ... Rome is the synthesis of everything.
“- Manzotin: Ooh in Mandrake, but" ndo you go, to the North Pole?
- Mandrake: In Manzotì, I'll go to the North Pole, but you have to fuck off! ”. Taken from the film "Fever from horse", in which Gigi Proietti played the character of Bruno Fioretti, known as Mandrake.
Caligula is homo name, Caligula, like Agrippina. A "gnorante! Taken from the film" Horse fever "
Mandrake: A cello profession ". I c" I have a profession, which now I do not do to brag, but if I was not a fregnone at this "now the undersigned could be an actor of the scream you know only with my wizard smile I could do it". Consider a Dusti Ofman ..., Steve Mequeen ..., Ar Pacino ...
- Er Pomata: What about "? Horses.
- Mandrake: No, I know "jockeys.Taken from the movie "Horse fever".
Mandrake: A Poma ", c" you "na face ...!
- Er Pomata: Yes, if I had two I was already at the university ... In spirit!
One of Gigi Proietti's most loved gags is that of the white knight and the black knight. Here is an excerpt: "There are a white knight and a black knight. The white knight challenges the black knight to a duel, the black knight kills the white knight. The white knight had three sons, the white knight's three sons challenge the white knight to a duel. black knight. The black knight kills all three of the white knight's children. [...] Now you ask yourself: what is the moral of this story? er c *** o!
Gigi Proietti talks about a phone call with the voice actor Emilio Cigoli: "When he answered, I heard John Wayne in his warm, deep and persuasive voice. I was about to answer him:" Hi, John. Where did you put your horse? ", But I restrained myself. I took courage and began to speak in a tone of voice even more serious than that of Cigoli. "Good morning Mr. Cigoli, I really wanted to talk to you." He felt challenged, then lowered his tone further: "Tell me, please." I then went down another "octave and he did the same. The phone call practically ended in burp."
Gigi Proietti's reflections on theater, life and art
Although Gigi Proietti is remembered by the general public in particular for his brilliant and witty performances, he was also a great dramatic actor who was able to renew the world of Italian theater. He left us numerous reflections on the art of acting and the meaning of our existence: these are the most profound.
I could be your friend in a minute, but if you don't know he laughs I walk away. Who does not know laughs, makes me suspicious.
On the profession of actor. I enjoy it and they pay me as well. It's a godsend.
Mr. Conte, I'm not joking. I never joke .. I play. Yes, gambling is a very serious thing. Because those who joke do so for fun, but those who play aim, deceive themselves, invent a happy ending .. That never comes.
It was not the mass media that revived the Battisti myth. But its myth to resurrect the mass media.
But we must remember that theater is not TV. On TV every week you have to say different things because the audience is the same. In the theater every night the audience changes and the text remains the same. Otherwise Petrolini too would have had to stop being Gastone.
Let us thank God, we actors, who have the privilege of being able to continue our childhood games until death, which is played every evening in the theater.
Welcome to the theater, where everything is fake but nothing is fake.
Remembering is a risky job, because it needs strong stimuli.
Comedy is a complex matter, it is not enough to stage a nice little thing to earn applause.
Popular theater is an empty slogan that only makes sense if the space becomes really popular, if people feel that you are working in a certain direction and not, sorry, to give you a blowjob.
It is very important to follow the kids to know what they think and especially if they really think about something.
The crisis does not come out with hatred, anger: those are only the consequences. The solution, on the other hand, is love, and making good people come back into fashion.
In the total loss of people's values, the theater is a good well to draw from.
Reflections on Italy, theater and entertainment:
Do you know why we Italians have often tolerated bureaucracy and its misdeeds? [...] Because the bureaucracy was the mother, the soft and welcoming belly in which to disappear and re-emerge on the 27th of each month. Among those who had made it was the firm belief that everything that happened outside did not concern them.
On his life: "Telling one's life is not something for everyone. Of course, anyone can remember the episodes, try to historicize, reflect on how time passes and how things change. But the smell of poverty mixed with that of Sunday juice, the mothers' calls to the naughty children who don't come back for dinner, the irrecoverable joy of the market, the chatter on the sidewalks ... playing tressette, life on the street, women on the windowsills, the speeches of the unemployed ... How can you make the reader relive all this if they weren't there? "
On Rome: "She couldn't understand that it has become a metropolis, she just can't make it. One day it is enough to go to any large European city to notice it. Even if I couldn't live a cobblestone street further on, I don't recognize Rome. more. It has become ugly, broken up, alien to itself. It is no longer a unity, but a sum of at least seven cities with different souls. Suburbs that do not know each other. "
